Eibon Films Horror, Fantasy and SciFi writer / filmmaker and friend of the weird

28Dec/170

new iMac Pro – it arrived!

thumbnail for youtube video

New iMac Pro box

 

 

 

 

 

 

 

 

 

 

 

So I got the new iMac Pro - it arrived a week earlier than expected and I had to unbox it immediately.

Here's the rushed video of the unboxing: https://youtu.be/psENjn3CbT8

I'll do a review of it soon if anyone's interested. But for now, I'm very happy with it.

 

New iMac Pro

New iMac Pro

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Yes it is expensive! Yes it is a huge financial investment. But I have been waiting for this machine for a good two years, and carefully saving my pennies and biding my time. I last bought my MacBook Pro in 2012 and so after 5 years, it's finally meeting its match when trying to be my main writing machine and video editing machine. It was time to invest in newer kit for the video editing side of things. Especially now that I'm playing around with 4K footage. And the MacBook Pro will mainly become my backup on the move machine for writing and only occasionally editing - until that too can be replaced (as it's not really good for more than 30 mins long HD projects). But this new iMac will be my main workstation from now on.

It looks kind of small in the picture, but that's only because there's a new 32" 4K monitor next to it.

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27Jun/100

Adobe Production suite incorporates STORY into its workflow

CS5 Production premium box art

Adobe have finally released STORY - a collaborative tool for writing scripts and screenplays that is part of the new CS Live online services.

Check out the promotional video, that explains how STORY fully integrates into the entire production process, but beware the annoying NVidea Advert that you can't opt out of: http://tv.adobe.com/go/4917?trackingid=GYHZE - I suggest you turn the sound down immediately and then put it on when the product tour starts; but then I hate advertising.

Check out the production workflow (PDF) info HERE.

I covered Adobe STORY in a previous post - HERE.

It's an exciting time for low budget film production - and by that I mean in classic film production classification parlance as those productions with a 2ok to 20m budget, as such tools are usually out of the budgets of private individuals such as you and I; especially when I barely pay the mortgage, let alone have the funds to spunk 2k on software on a whim - as such production workflows, with the correct application of planning and knowledge enable low budget productions to efficiently plan and produce a holistic and consistent offering; right up to the point when you sell the rights to your film and deliver the music and effects version for subtitling, complete with a full transcript of the finished edit, which is already timestamped to the edit. Nice.

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