Eibon Films Horror, Fantasy and SciFi writer / filmmaker and friend of the weird

7Nov/180

Update – the ups and downs – MR CLEAN

Wow. Filmmaking is tiring. You forget this, when you don't do it for years. I mean real filmmaking, which involves putting a full production together, and building a crew up from the ground, because you're living somewhere where you don't know anyone in the industry and have to start from scratch. And you are trying to wear so many hats and perform so many different tasks, and all while doing a day job with urgent aggressive deadline requirements. Kudos to anyone who does this and doesn't whinge about it and takes it on the chin and gets it done!

Anyway, this time since the last update has been fraught. It's been a real rollercoaster of ups and downs. Where one minute we have 'this' and then we lose 'that'. Where 'that' is back again and 'this' is now missing. The twists and turns of real life filmmaking are more exhausting than the plots I can contrive. But that is what pre-production is like.... One minute I want to do a feature film already and the next minute I never want to pick up a camera or plan a shoot, or break the bad news to an unsuccessful auditioning actor again....

Here's a quick summary of what's gone on:

  • We completed our casting process - seeing a surprising number of dropouts and no-shows, compared to the actresses applying for the same types of shoots in the US and UK. Basically it would seem that Swedish actresses either have more self-doubt or less motivation to actually learn lines and audition, or are really busy working actors because there are less of them per population? I'd hate for either to be the case. But based on the data, there's no other call to make. However, the outcome is that we now have our lead actress, who will rise from the ending of this current film and lead the next two planned sequels. And we've found two more actresses, that were runners up, who we'd really like to also work with. Huge props to Pontus for sorting the best casting venue. That was also a mission for uneducated Stockholmers such as ourselves.
  • We reached out to the Swedish Film Board, to find out about permits and the like and have received zero replies. To be honest, I'm not surprised. There's a lot of filming going on right now and they must be very busy. I saw two film shoots going on in my neighbourhood alone today.
  • We formed a skeleton crew. And we lost our cinematographer, due to a clash with dates. Then we moved the shoot and gained the cinematographer again and now that we're a week away from the shoot we unfortunately lose them again. You can't lose what you never really had right? - but all it means is that the small crew will all wear more hats. it'll slow us down a bit, but make the logistics easier in some ways, e.g. less vehicles to use to move cast, equipment and crew around when needed. It's a real shame, but it's happened on so many films I've experienced and to be honest, I knew it would be foolish not to assume that something might go wrong.
  • We put a shoot schedule together and then had to completely move the whole shoot, due to failing to get a minor location one that suddenly became much more significant as the script evolved - and now, when we were just about to move the shoot again, we finally get our location with one week to spare. Cue much frantic scurrying to get everything else in place. But huge very-grateful thanks to Darwin and Terese for calling through a list of 60 locations to get the one we need! - Especially as Darwin is finishing of the post production of DON'T FORGET TO BREATHE.
  • We used the extra time to redo the bad intestines I made, to create some much better ones. We've antiqued our Cleaver, which finally arrived. But we've still not received our main show piece FX. Although the workshop pics look awesome. The pain I went through just to buy candles I wouldn't wish on anyone. But still a few props to track down.
  • Trying to write a sequel, in between texts and calls and while builders are jamming crowbars into the wall by your head, or hammering and sawing outside....
  • We have the artwork that we needed for set dressing, and now that we have another location, we suddenly have to create more stuff to dress that location and weave it into our filmic world.
  • Meanwhile, I've been trying to create briefs to help form the characters, and communicate the origins of the story and why a character needs red hair and what shade of red hair, and why some are naked and some are not... and all of this gets in the way of the planning and headspace you need to create that filming world in your head all over again. Because you had to put it away when the shoot got pushed back and now you must dust it off again. And the doubts are back... have you planned enough? Do you know what you're doing?

Apologies for dumping that huge mental list on you. But that really is what it's like. You create a huge list of tasks, and the team tick them off as they go and then things change and you discover more tasks that need to be completed and so on, and the clock slowly runs out and the shoot date looms....

But we'll be fine. Things will and can go wrong. But if we can keep our heads and keep our humour, hopefully we'll remember to enjoy the process and we'll end up getting all of the shots we need in the can, and be surprised and spoilt for choice for how much material we can choose from in the edit... and not wishing for shots we had to compromise on. And more importantly, raring to go on parts 2 and 3 - which I really need to finish writing, as soon as this one is shot.

A huge thanks to anyone helping us on this crazy journey. I love you all. <3 🙂

 

 

 

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6Oct/180

A busy week – Pre production diary

Pre-production fun

 

So it's been a full-on week of pre-production on MR CLEAN (click to read more):

 

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27Sep/180

MR CLEAN

So... I've been neglecting you. Sorry. Will it happen again? Probably, if past behaviour is anything to go by....

So quite some time has passed. And during that time I've been through the ringer, health-wise. Let me fill you in on what you've missed:

  • Worked a lot. And was exhausted by the end of it. This including making a short promotional film for a friend, to promote the release of his computer game.
  • Went to Japan in March and April for the trip of a lifetime. Had an amazing time, 17 days travelling across Japan and came back exhausted through lack of sleep.
  • Got a stomach bug, while still exhausted from Japan. This weakened my system so that I then got Shingles. It took months to recover from and I am still daily suffering from random attacks of chronic pain from it.
  • Had a lot more work to do and had to do it while battling the pain and the heat of the hottest summer on record - while sweltering in my pants (there's an image you didn't want in your head). Cue a lack of sleep and a complete neglect of all creative activities until the worst of it subsided.
  • I managed to edit the photos from that trip to Japan, but haven't finished editing the 4hrs of footage down to something more palatable. Essentially the VLOGs are dead for now.
  • I also finished writing a new short, called MR CLEAN, at the start of August.
  • I went to the Lake District and to visit friends, and then to Skiathos, where upon my return my cat got himself lost for a week.
  • During that whole period, from April to September, I had been suffering a massive depression. I had become burnt out through the demands of work and my ill health, and I had also seriously considered ditching all social media; this poor neglected blog included. I tried not to wallow, to turn things around and get my shit together. As a result of a new regime of behaviours I've tried to cultivate, I've lost some weight, I am more productive and marginally happier. Will it last? Who knows... but I'm not giving in easily!

What is Mr Clean?

So, now that you're up to speed, what is MR CLEAN? Wasn't this post supposed to be about that? - Yes. Right you are then...

I had written a darkly fun short about a nice guy who breaks into people's homes and cleans them up, to explore why he might be doing such things. It's a variation of an old idea, fused with a bit of inspiration for adding something new and also seeing if it could be done for a very low budget, perhaps even shot at home.

After spending some time over the holiday to do a few storyboards for the film - actually part of an exercise from the Martin Scorsese Masterclass - and yes I am crazy enough to want to do this while on a beach, with a beer in hand. So it was homework essentially. But made fun. - I then shared the storyboards with my good friend Darwin Reina, to see what he thought.

Darwin and I were both in a creative rut of kinds. I went around to view the rough edit for DON'T FORGET TO BREATHE and showed him the storyboards and let him re-read the script. He was immediately enthusiastic about it and asked a very poignant question: "Why aren't we making this?" To which, I had no answer. I had wanted to do it earlier in the year before I got sick...

So we talked it through.... Could it be done? If so, how? Where? When? With who?

And that my friends brings you fully up to speed. At the end of October, we are shooting MR CLEAN. We're going to shoot it mostly at my place, shoot it with the GH5, in 4K, and we're going to try and make it as great as possible.

Here's a quick and dirty test shot - where we just looked to take the storyboard frame and plan which lenses to use and where to put the camera, to get the shot on the day - because we're crazily going to try and get it all done in 4 days...

Here's a screen grab from a test shot of Darwin as MR CLEANHere's the cruddy storyboard of mine, below (top left) that we've recreated above.

We've broken down the script and done a test shoot - so we can perfect our workflow for the edit as well as not dick around too much on the day of the shoot. We still need to sort our lighting. Special FX are being prepared. We've sorted vehicles. We may have a composer and we're searching for an actress. It may just happen... but still so much to do and to fall in place for the shoot.

Wish us luck!

And if we pull it off. There are already two planned sequels. Yes, this might just end up being a small short film web series.

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28Dec/170

new iMac Pro – it arrived!

thumbnail for youtube video

New iMac Pro box

 

 

 

 

 

 

 

 

 

 

 

So I got the new iMac Pro - it arrived a week earlier than expected and I had to unbox it immediately.

Here's the rushed video of the unboxing: https://youtu.be/psENjn3CbT8

I'll do a review of it soon if anyone's interested. But for now, I'm very happy with it.

 

New iMac Pro

New iMac Pro

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Yes it is expensive! Yes it is a huge financial investment. But I have been waiting for this machine for a good two years, and carefully saving my pennies and biding my time. I last bought my MacBook Pro in 2012 and so after 5 years, it's finally meeting its match when trying to be my main writing machine and video editing machine. It was time to invest in newer kit for the video editing side of things. Especially now that I'm playing around with 4K footage. And the MacBook Pro will mainly become my backup on the move machine for writing and only occasionally editing - until that too can be replaced (as it's not really good for more than 30 mins long HD projects). But this new iMac will be my main workstation from now on.

It looks kind of small in the picture, but that's only because there's a new 32" 4K monitor next to it.

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5Dec/170

Things to get used to – import costs and a lack of manuals

As an aspiring filmmaker, there are two things that you have to get used to, if you want to be able to obtain the gear that you drool over in other people's social media feeds:

  1. Import costs: everything that I can only buy on the internet and not through an approved local retailer comes with an added random cost imposed by the tax office / csutomers. Joy! This usually means that your parcel is held hostage until you can pay the ransom, so that you can take it home. Because, after all, no Swedish hands had anything to do with putting half of my imported items together, but of course I'd be defrauding the Swedish government of money by not paying them for the fact that no bugger already legally imports these items and sells them within Sweden, right? And it's cheeky, because you're already paying a premium to ship the damn thing to yourself, and the seller gets to mark up your item in the currency exchange too. Now you have to pay a third cost and you have zero say in the matter. Fun times!
  2. A lack of documentation / manuals: Usually, such items either come with an incomprehensible manual (either in a foreign language or merely some dodgy sketches and no words at all), or no documentation at all. As happens with my latest purchase. This is ok when you can figure out from website pictures how to assemble and use your items. However, if something were to break, do you know how to ask for a replacement part, if you don't know what the parts are called? and if you break it through accidental misuse, then it's all down to you.

I bought a Lan Parte GH5 camera kit / rig (http://www.lanparte.com/product/info_45_itemid_483.html) for my camera and I love it. However, it really would have saved me some time and some head scratching to get a piece of paper with it / booklet that explains how to assemble it all! And it would have been great not to have to pay an extra 440 SEK in ransom, to take the item home.

Of course, now that I have this, I realised that I also need to order the camera shoulder rig (http://www.lanparte.com/product/info_45_itemid_493.html) and the follow focus... some nice early Xmas presents for the Swedish government....

PS - it's worth saying that no one has forced me to buy these things. However, when a local retailer failed to fufill my order for the 8Sinn cage and handle, and I couldn't find any other options, I decided to chance buying it abroad. Also, I bought it in the full knowledge that I could have been ripped off or it might have been faulty / incorrect. You pays your money and you takes your chances basically. Luckily, I was very well taken care of by HMI US (https://www.facebook.com/HypermediaINTL ). I just wish these guys had a local Swedish reseller. 🙂

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7Nov/170

I am an idiot GH5 user… but I’m not the only one!

So I bought V-Log finally for my GH5 camera - and that wasn't easy! (but that's another story - I've added at the end).  But how could I get it to work???

Why I am an idiot:

I followed every hastily written or edited instructional article and video I could find and none of it seemed to show me how to replicate what I was seeing in the pictures and videos - no matter how well written (like this one: http://www.4kshooters.net/2017/04/10/panasonic-gh5-how-to-install-v-log-l-footage/ ) . Because all of those videos and articles assumed that you were not stupid, like me - or assumed that you already had a level of knowledge, that you in fact do not... yet. Apologies, if you are not as stupid as me. Laugh at my idiocy! But here's where I went wrong when trying to access the Creative video modes...

So let me hlep you out and point out where I went wrong and many others, on forums and redit threads seem to also go wrong when trying to get V-Log working.

GH5Vlog21

See the Green circle above - enclosing the white mark - that is where you need to line up the items on the revolving dial, to activate the Creative Video mode (With the movie camera and M symbol) from the 'Drive mode dial'. And do not line it up with the 'One/off' button white line (enclosed by a red circle in the image above), as I was doing and many other users seem to be doing!

Then, if you've correctly installed V-Log, you will magicaly see it appear!

In my defence - I have not finished going through the manual. I bought my camera from a Swedish retailer and sadly only got Danish, Finnish, Norwegian and Swedish manuals. So sadly I am trying to work my way through an English manual which I only have in PDF format. So this is a classic moment where men should read the manual first, before trying to fudge their way through it, as I was very clearly doing! Had I done that I may have remembered the little white dot and not got it completely the wrong way around.

So it's great that I can finally play with V-Log and shoot my movie and carry out some pre-production tests!

Re getting V-Log - the saga:

Normally I try to set my default settings for camera useage and shop sites to English, because most people deliberately set the language of such sites to the regional default. My Swedish isn't yet good enough to happily follow technical subjects - although I can carry on brief conversations with barmen when ordering a pint. I found that I was unable to buy V-Log from the Panasonic UK website, as I no longer have a UK address. I couldn't order it directly from the Swedish Panasonic website either!  So I had to buy it from a local Swedish retailer.

The package then has to be issued by Panasonic and shipped to the retailer who then packages it up for you! This meant that I was waiting over two weeks for the activation code, from the point of purchase, as these retailers do not keep them in stock.

Then when it arrived, it was not sent to my actual address. It was sent to a random Post depot, where I had to go to sign for it, producing my ID and then receiving a ridiculously large and very light box. Said box, upon opening, reveals another box within - wrapped up better than you would wrap a piece of expensive glassware - and inside that is a small manual and a black envelope. Overkill indeed! See it all pictured below...

GH5Vlog

I appreciate that V-Log is expensive and highly desirable. And it is necessary to avoid people sharing the codes and trying to circumvent official channels etc. But surely they can find a way to mail you an envelope to your door? The average postie won't have a clue what the package contains... and god help you if you need V-Log in a hurry for an urgent shoot! You'd be better off borrowing it in advance to avoid waiting!

But no it's not a sustainable / environmentally friendly process and it will generate plenty of needless packaging...

 

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25Oct/170

Camera swap – time for 4K

Gear porn is a hard addiction to fight. Our desire to stay ahead of current trends in video production, to produce something that can hold its head up high in an ever changing media landscape is tough to keep apace. And I know, in that regard, that I'm an addict. And it's hard to deny the urges that stem from creative desires...

It's little more than a year that I've been playing with and trying to master working with HD video - namely 1080p. Trying to shoot for web delivery and produce videos that can hold their heads up next to the kind of visuals that we can see on the small screen. Although I am obviously not a professional cinematographer, in the traditional sense - as in someone that almost exclusively studies their craft and is hired to capture a marketable vision for others - I do hope that until I can get the chance to work with a professional, that my own visuals will hold up along side that of my peers. And until then master the pesky world of DLSR videography, at least to a point that i can be proud of the results. Currently, I'm not near where I want to be. I'm still a beginner.

But when I wanted to shoot a new film - and was deciding, during pre-production, what I was going to do with the film, I found that there was a little voice that kept talking about not doing the film in 1080p and trying 4K...

The use of 1080p is clearly waning. Now is the time for 4K... and then what? 5 or 6K? lol. No I won't chase every passing bandwagon. But I do think that 4K should be with us for a good while yet. So now is the time for me to invest in it and learn how to use it. My problem is that I don't currently have a computer powerful enough to handle 4K yet. So I'm waiting for Apple to sort their lives out and hurriedly release the new Mac Pros. It's been a long time coming and if they disappoint, I will have to jump to another PC manufacturer, after years as a loyal Mac fan, as they've already wasted enough time and ignored their pro customers long enough. So until then, I'm focussing on the camera - to worry about the edit later.

So why 4K?

4K (3840 pixels wide × 2160 pixels high) is a much bigger frame than 1080p (1920 pixels widw and 1080 pixels high). Even if you plan to release a 1080p movie, that bigger frame gives you plenty of options to crop creatively, to compose artful frames, that were better than that shot on the day. It also gives you more power to stablise unintentionally jerky shots in the edit. But it also future proofs your footage, assuming that 4K TVs become the new mainstream home viewing format.

So what camera have I chosen?

Z-PANASONIC-GH5-BEAUTY

It was a tough decision. I loved the ease of use, using my Canon 70D. And for vlogging, my point-and-shoot G7X MKII. However, Canon seem unwilling to solve the 4K riddle for their lower end semi-prosumer clientelle. I waited and they failed to deliver a good affordable 4K camera. Yes they've delivered what they call 'affordable' models in the C200 MKII and the C300 etc, but they're hardly affordable for people on lower budgets for anything other than as a rental. And I don't see much to like in their other DSLR range. So even though I love the way they do things and their glass, it was time for a change.

Now I loved what I saw in the Canon C200 MKII, the Panasonic EVA1 and the Black Magic Ursa Mini Pro. But if you buy those, then you still have to buy more gear to go with each. And you'd have automatically doubled your costs before you've even invested in storage to capture your footage on. I just couldn't justify the investment right now. Also those cameras are big. for my needs, right now, smaller is better. But in the future?...

It was a tossup between Sony or Panasonic, for me. Sony seem to have mastered the low light capability - something the guerilla filmmaker needs to deal with every day. But after using the RX100 MKIV and trying to Vlog with it and seeing how they p*ss battery power up the wall in minutes, I was not keen to invest in a more expensive camera that might have had similar issues. Also, their cameras tend to have a softer look that didn't quite do it for me. Instead, I went for the Panasonic Lumix GH5 - mainly because I heard much of the previous GH4 model - as a go-to for many wedding videographers and low budget filmmakers. They tend to bea bit more vocal about this camera than I tend to see in the Sony world. Having an active community to support you and advise you is key to me, as a learner. And I will just have to be creative when it comes to getting enough light.

The GH5 isn't cheap. Nor is it a simple proposition to switch format and then invest in new gear. Everything comes with a little risk. But so far I am happy. And before I committed to my chosen path I wrestled with the decision for a couple of months and did so much research that I felt incredibly depressed by the thought of doing any more.

For me, I was lucky in that I chose to switch at a time when my Canon gear, although it had depreciated in value, was desirable enough to give me a decent sum in a part exchange. So I had a good starting sum to play with. Then I waited for the new firmware update for the GH5 to come out - as there had been many criticisms of the camera on it's initial release earlier this year. And then I pounced. 🙂 At least it felt that way.

I purchased the body and then of course, unless you want to also invest in a speedbooster adapter, so that you can use your existing Canon glass with the different format camera - the GH5 is a Micro 4/3rds format - you then need new lenses. Lenses are not cheap - not if you want to invest in Pansonic lenses with inbuilt image stabilisation, so you fake a gimbal-like smooth moving shot. Although there are many cheaper 3rd party lenses that don't have that stabilisation - as well as 2nd hand lenses that do, but have dropped in value. Also, if you want to shoot in V-Log (a professional video codec that enables you to shoot in a professional format and then colour grade the footage later), you then need to buy the license key to unlock that pro format in the camera. The SD cards needed for that V-Log format at 4K are also very expensive, and have recquired SD card manufacturers to develop a new way of marking their cards, to guarantee that they can handle the footage. You need lots of them too, as 4K will eat up lots of storage in the shoot, nevermind the hard drive space you'll need when you take it into the edit. In short, I could go on with what I am learning, but it is truly dizzying to see how much other gear costs need to be factored in when building a kit - e.g. lights, sound gear etc. So I won't bore you any more. But suffice it to say that this camera, with a few more lenses will complete my basic kit and give me plenty to learn and keep me plenty occupied for a while now.

So far I've only had the briefest of time to play with the photo capability, to try out the new lenses and installed the new firmware update - I've purchased but I am waiting for the V-LOG key and have yet to put try editing any footage. But soon! First I need to go through the manual and play play play!

For now, my gear porn addiction is sated. Now comes the post purchase guilt and the need to shoot this damn movie. And then will inevitably come the post-production issues that I need to research and rehearse before the shoot. It never stops. Right?

Links:

Some video links that might be helpful:

GH5 Cinema Set-up & Tests: https://www.youtube.com/watch?v=0btY-irwawk

Panasonic GH5 - Everything I found out that you should know:  https://www.youtube.com/watch?v=f6O0XrHzGgk

Pansonic GH5 6 months later: https://youtu.be/N6BcaykMp88

4 Best Video Cameras for Indie Filmmakers in 2017: https://www.lightsfilmschool.com/blog/4-best-video-cameras-for-indie-filmmakers-in-2017-aec

 

 

 

 

 

 

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8Oct/170

Sickness is a time to reflect and learn

I had just penned a new short film script, one designed to be predominantly shot in one location for ease of production and shared it - and after very positive feedback from my good friend and creative partner Darwin - I was super keen on shooting the film and working out some of the gear we might need to be able to capture it, including some audio gear.... and then disaster struck. We had a death in the family; a very tragic and sudden death. And everything obviously went to sh*t...

...A while after this, when my mind was slowly turning back to creative things, and the days were slightly less preoccupied by grieving, and I was gearing up to let Darwin know that we would soon be back on to film, and then I got the flu - and even threw my back out again while coughing violently.

I have an atrocious immune system and I rapidly succumbed to filling up baskets with tissue, coughing up buckets of green slime and bemoaning anything that involved physical activity or concentration. But despite the illness, I find these things go through phases of creativity, from the random and less focussed to full blown acts of inspiration - where you can even forget your suffering, for a while.

First, it's watching films and shows that you've never had time to get around to watching from your sick bed. And reading the books that have been neglected when you're restive and can't decide on anything else to watch. Because you're too headachey and sick to do anything more challenging. And sometimes those inspire you to watch other things and they get your brain all fired up; and enjoying such visions can stimulate new or cause other dormant ideas to resurface...

Then when you're pumped full of cold medication, you start to contemplate what's lacking. For me it was thinking of camera and audio gear, thinking of problems with the structure of a feature script, worrying over how to bring my creative vision to life...

Until you start to heal, and some semblance of the former energy returns...

Having that time to think and a lack of energy to do anything else was invaluable. The dreams stimulated by the cold meds were a useful catalyst also.

I noticed a Martin Scorses Masterclass and the Shore Scripts Screenwriting course and signed up for both, taking advantage of the early sign-up pricing (after all I was too sick to go out partying and spend the money in real life, why not put it to use, right?) and even diving into the first lectures and doing the pre-reading. After lurking online in the web store, I eventually made it outside and went to the actual camera store (after heading to the pharmacy) and checked out the audio gear I've been drooling over and figured out what I needed.

I'm not entirely mended yet. But I am itching to get at it.

For now, I am enjoying the build up to my favourite holiday, Halloween. And taking part in a film a day challenge - 31 days of horror - #halloweenFest. And I'm working my way through the lectures and tasks... and I'm playing with the new toys and learning how to capture the sounds I think that I will need.... while revelling in the classic visions from master filmmakers. And I'm glad that even when I couldn't stand my own infected shell, and the fluids it kept emitting, I could still make use of the time.

I just need to shake this damn fever... and get back at it when I'm ready.

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14Sep/170

Soundscapes – Redux

a3379672351_16

Fans of synth soundtrack music, video nasties and 'the glory days of VHS' - please check out the excellent new album REDUX: https://videogram.bandcamp.com/album/videogram-redux

- The keen eyed will notice my name appearing in the credits - for a video ident I did for him (and what the album cover design is based on). Which I hope you will get to see soon.

- thanks Magnus (aka Videogram)! You're very kind.

I really like this album and it's great to write to. I can't wait to somehow persuade a film soundtrack out of him. (*sssh!*)

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15Jul/170

Don’t Forget To Breathe – in production now

Film poster for DON'T FORGET TO BREATHE

DON'T FORGET TO BREATHE

DON'T FORGET TO BREATHE (http://www.imdb.com/title/tt6207538/?) - a film I co-wrote with Darwin Reina, is being shot right now in Barcelona, and I'm not there. It's a weird feeling. On the one hand, I am super stoked that the film is going ahead - after a lengthy but much needed pre-production period. On the other, I'm feeling a bit disconnected from it - a social media lurker, merely peering in through the lens of posts on Facebook and Instagram and checking up on progress. It's strange... so why am I not there?

I've been working my fingers to the bone recently - I had some very tough script deadlines to meet and some business travel to conduct. All of that is now done. And soon my holiday starts. But right now I am exhausted. Any creative will know that feeling of having recently achieved something significant, but then being in a weird limbo of not knowing if it is even any good? If people will even like what you've created? And having given everything to hit that deadline and to then be utterly crushed as the weight is removed from your shoulders - and the rest of you sags to the floor. The fact that I am able to sleep right now - in my new house and new bed - is propping me up. My brain is firing on all cylinders creatively, having been well-warmed up by the recent productivity, but I need to allow myself to rest and not dive into the next big thing right away. And that also means that although I technically could jump on a flight to Barcelona.. and book a hotel... should I?

Image of a magnetic whiteboard

Creativity lives here... or does it?

I've worked on films before and it is exhausting. It's an amazing process - long days, lots of standing around, great camaraderie etc - but although it can be incredibly rewarding and give you a chance to forge new creative relationships, it can also be very draining. If it was in a week, I'd be there. But right now... I need to cling on to rest.... My holiday starts then. But right now, I'd be no good to them. I'd be the worst kind of on set hanger on. A sleepy and irritable guy,  and feeling like a zombie the whole time, trying to follow what's going on and needing everything to be explained to him again in another language - and merely delaying and exacerbating the inevitable crash that will follow. After all the film is being shot in Spanish and although I did a year of it in school, it was 35 years ago and I can only order a cool beer right now. I'd only have to get people to use English, and it would bring the wrong kind of vibe to what is by all accounts an otherwise smooth production. So despite being torn, and really wanting to be there, I must give in to my need to rest. After all, I've been working crazy hours, often 7am to 1opm all week round for weeks on end, and doing this since November!

So all I can do right now is urge you to check out the social media feeds, follow and share the posts and await the eventual film - as I am doing.

I'm waiting in case the cast or crew have a question about the script that I can help with. I'm going to be there to help Darwin with the edit and the post production. And when we make the next films that I am writing for him, we'll do it together.

For now, I have a big magnetic white board to fill, and it's crying out for some index cards, some story beats and some fresh ideas. I can do this from an arm chair. It's a kind of rest. It's creative. But I'll also be hawk-eyed on my social media feeds...

Good luck guys! ¡Buena suerte!

 

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